My work explores the systems and structures that exist beneath familiar surfaces—within the body, the natural world, and the images we use to understand ourselves.

I work across cyanotype, carving, gold leaf, pyrography, watercolor, mineral, and mixed media, allowing each material to become part of the conceptual language of the work. Anatomy, botanical forms, portraiture, fractal pattern, and natural systems recur throughout my practice as ways of examining connection, perception, identity, and transformation.

As a dyslexic artist, I have always understood the world visually and searched for patterns and alternative ways of communicating. That perspective has shaped my interest in scientific illustration and in structures that repeat across different scales—from vascular and muscular systems to plants, marine organisms, ecosystems, and larger cosmic relationships.

My newest body of work, Stardust, extends this investigation through light. Using cyanotype, carved wood, and gold leaf, I explore light as a system of communication and adaptation: something that carries information, shapes living systems, influences perception, and connects the human body to the natural world and the larger universe.

Across the work, I am interested in what becomes visible when familiar forms are taken apart, examined more closely, or seen from another perspective. Whether working with anatomy, portraiture, botanical structures, or light, I return to the same question: what hidden relationships connect us to one another and to the world around us?